Home > Winterwood(8)

Winterwood(8)
Author: Shea Ernshaw

But he is a boy I don’t know. A boy who smells of the forest now. Who reminds me of the winter trees, tall and lean with bark that is rough and raw and could tear open flesh. No soft edges.

I catch my own breath and turn away. He is a boy I don’t know, I repeat to myself again. He is a boy with his own secrets. A boy unlike all the others—in ways I don’t understand. I can’t pinpoint.

The recipe instructs that the herbs should be kept close to the body while you sleep for three nights in a row, and then the chill will be banished from the bones.

It’s all I can offer him, all I know how to do—I am a Walker without real magic. Without a nightshade. It will have to be enough.

Back in the loft, I close the book and bury myself beneath the sheets, trying not to think of the boy. A stranger asleep downstairs.

The sunrise is close, the light through my bedroom window turning a carmine shade of pink.

I pull the blankets up to my chin, begging sleep to find me. To draw me down and give me at least an hour’s rest. But my heart drums against my ribs, a nagging that won’t go away. It’s not just the boy downstairs. It’s something else.

The moth I saw in the woods. White shredded wings and black pebble eyes. The moth is a warning.

And I know what it means. I know what’s coming.

My eyes flick to the wall above my bed, where a collection of items gathered from the forest are tacked to the wood. Bits of moss and dried maple leaves, a raven feather and a broken magpie egg, Juneberry seeds and other things found along the forest floor. A dozen dried wildflowers hang with stems to the ceiling, dusty pollen drifting down to my pillow. It’s good luck to bring the forest indoors, to let it watch over you while you sleep. These things protect me. They bring me good dreams.

But not tonight.

Even with the open window, with the snow gathering on the floor in drifts, I sweat through the sheets, my cheek sticking to the pillow.

And in my fever dreams, I have the strange sense that by morning, Oliver will be gone. Melted into the floor like a boy made of snow.

A trick of the woods.

As if he were never here at all.

 

 

Spellbook of Moonlight & Forest Medicine


FLORENCE WALKER was born in 1871 under a green Litha moon.

Crows gathered on the windowsill when she drew in her first infant breath, and they kept watch at her crib, wings folded, every night as she slept.

On Florence’s wedding day, a white-crowned sparrow in a nearby birch tree sang a tune that sent chills down the spines of those in attendance. She’s a bird witch, they said. They do her bidding.

But it was merely her nightshade that drew the birds to her.

She kept sunflower seeds in her pockets, and she left piles of them on rocks and along the shore of the lake. And when she wore her yellow-apricot dress, seeds spilled out through the hole in her pocket and made little trails wherever she went. She whispered omens to the birds, and in return, they told her the secrets of her enemies.

Later in Florence’s life, the Walker home built in the trees was always filled with the chitter-chatter of house finches and spotted towhees. They flew among the rafters and slept crowded around the bathroom sink.

Florence died at age eighty-seven. A nasty bout of tuberculosis. An owl cried from the footboard of her bed frame all night, until Florence finally let out a little chirp and went still.

In the garden, a crow can still be seen hopping between rows of garlic and geraniums, searching for earthworms. Its eyes are that of a girl.


How to Lure the Crow from the Garden:

One handful birdseed

A wisp of sapphire smoke

Two clovers picked beside the garden gate

Click your tongue andspeak Florence Walker’s name three times. Wear a sun hat.

 

 

NORA

 


Sweat beads from my forehead and I kick back the blankets. Hot and disoriented.

The morning sun is a diffused orb of light through my bedroom window, and Fin is panting beside the stairs, tongue lolling in the heat of the loft. A tiny pulsing spurs at my temples from not enough sleep, and then I remember the boy. Full lips and too-deep eyes.

I climb free from the bed, light-headed, on edge, and Fin follows me down the stairs—both of us needing the cool relief of fresh air. Something to wipe away the fevered dreams still clacking through me. The ones I can’t shake.

But when I reach the bottom step, I stop short.

In the living room, the fire burns low, barely a flicker from inside the stove.

On the couch is a heap of blankets, a pillow rumpled and wrinkled and slept on.

But no Oliver Huntsman.

I yank open the front door and hurry out into the snow—the cold air pouring into my lungs, stinging the tips of my ears. A thin edge of panic worms itself between my shoulder blades. Not because I’m worried about him—but because I can’t be certain he was ever here at all. That I didn’t imagine him: a boy made of snow and dark stars. And once the sun rose in the sky, he turned back into dust and disappeared.

I stand on the deck and scan the trees, looking for footprints in the snow, for some hint that he snuck away in the night. Returned to the Wicker Woods.

And then I see.

An outline appears among the trees, between the house and the frozen lake, and the breath catches in my lungs—a defiant itch crawling up the back of my neck.

It’s him.

He’s wearing his clothes from yesterday, now dry, and perhaps it’s just the morning light—all swimmy and strange and beautiful—but he looks oddly valiant, like a boy about to set off on a journey. Some perilous adventure he surely won’t return from.

Snow skitters down frm the charcoal sky, and he spins around, sensing me watching him. His lean emerald eyes stare back at me—a starkness in them I can’t decipher. And in his hand I see the cotton sack of herbs I placed beside him while he slept.

“Are you okay?” I ask, moving to the edge of the deck, but the words feel useless, sucked dry by the cold air as soon as they leave my lips.

“I needed the fresh air,” he says, shifting his weight in the snow. “I was hoping the sun might be out.” His gaze skips up to the sky, where the dark clouds have snuffed out the blue beyond. And I wonder if he thought the sunlight would warm him, heal him—a balm on his weary mind. That it might return his memories to him in one swift inhale.

His knuckles close around the pouch of herbs and he glances down at it, eyebrows drawn together, like he doesn’t remember holding it.

“I made it for you last night,” I explain, a twinge of embarrassment slicing through me. Witchy herbs gathered by a witchy girl. I am a Walker who has never wanted to be anything else, but I also don’t want him to look at me like the kids at school do, like the other boys at the camp do. Like I am a monster, strange and eerie with wickedness in my heart. I want him to see only a girl. “It will help to warm you,” I add, as if this makes it less odd. As if a sack of herbs were as common as a spoonful of strawberry cold syrup before bed.

But his eyes soften, unafraid, unfettered.

“You need to sleep with it for the next two nights,” I say, although I don’t expect him to really keep it—a strange bag of sharp-smelling herbs.

He nods, and when he speaks, his voice is raw and shredded by the cold. “Thank you.”

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