On Sean’s there were a couple of pots of frozen flowers and a plastic sign sticking out of the snow with his name on it. There were no flowers on Sarah’s. I looked at Sean’s spot for a while. It was a clear night and the moonlight was enough for me to see. My breath came out in clouds.
“How come, Sean?” I asked out loud. “How come?” I realized what I was doing and looked around. I was the only one in the cemetery. The only one alive. I thought about what Riley had said about Sean not wanting anybody to get away. And I thought about how I didn’t even care about such things, as long as it made a good thirty-inch story. How had we separated so completely? My brother and I. My twin. I didn’t know. It just made me feel sad.
Made me feel like maybe the wrong one was in the ground.
I remembered what Wexler had said that first night when they came for me and told me about my brother. He talked about all the shit coming down the pipe finally being too much for Sean. I still didn’t believe it. But I had to believe something. I thought of Riley and the pictures of Theresa Lofton. And I thought of my sister slipping through the ice. I believed then that the girl’s murder had infected my brother with the most desperate kind of hopelessness. I believed he became haunted by that hopelessness and the crystal-blue eyes of the girl who had been cut in half. And since he didn’t have his brother to turn to, he turned to his sister. He went to the lake that took her. And then he joined her.
I walked out of the cemetery without looking back.
7
Gladden posted himself at a spot along the railing on the other side from where the woman took the tickets from the children. She couldn’t see him. But once the great carousel began turning, he was able to study each child. Gladden pushed his fingers through his dyed blond hair and looked around. He was pretty sure everybody else regarded him as just another parent.
The ride was starting again. The calliope was grinding out the strains of a song Gladden could not identify and the horses began their bobbing, counterclockwise turn. Gladden had never actually ridden on the carousel, though he had seen that many of the parents got on with their children. He thought that it might be too risky for him to do it.
He noticed a girl of about five clinging desperately to one of the black stallions. She was leaning forward with her tiny arms wrapped around the candy-striped pole that came up through the painted horse’s neck. One side of her little pink shorts had ridden up the inside of her thigh. Her skin was coffee brown. Gladden reached into his duffel and brought out the camera. He amped up the shutter speed to cut down on movement blurring and pointed the camera at the carousel. He focused and waited for the girl to come around again.
It took him two revolutions of the carousel but he believed he got the shot and brought the camera back down. He looked around just to be sure he was cool and he noticed a man leaning on the railing about twenty feet to his right. The man hadn’t been there before. And most alarming, he was wearing a sport coat and tie. The man was either a pervert or a policeman. Gladden decided he’d better leave.
Out on the pier the sun was almost blinding. Gladden shoved the camera into the duffel and pulled his mirrored shades out. He decided to walk out further on the pier to where it was crowded. He could lose this guy if he had to. If he was actually being followed. He walked about halfway out, nice and steady, acting cool. Then he stopped along the railing and turned and leaned back against it as if he wanted to catch a few rays. He turned his face up toward the sun but his eyes, behind the mirrors, took in the area of the pier he had just come from.
For a few moments there was nothing. He didn’t see the man in the sport coat and tie. Then he saw him, jacket over the arm, sunglasses on, walking along the front of the arcade concession, slowly moving toward Gladden.
“Fuck!” Gladden said out loud.
A woman sitting on a nearby bench with a young boy looked at Gladden with baleful eyes when she and the boy heard the exclamation.
“Sorry,” Gladden said.
He turned and looked around the rest of the pier. He had to think quickly. He knew cops usually worked in pairs while in the field. Where was the other one? It took him thirty seconds but he picked her out of the crowd. A woman about thirty yards behind the man in the tie. She was wearing long pants and a polo shirt. Not as formal as the man.
She blended in, except for the two-way radio down at her side. Gladden could see that she was trying to hide it. As he watched, she turned so that her back was to him and began talking into the two-way.
She had just called for backup. Had to be. He had to stay cool but come up with a plan. The man in the tie was maybe twenty yards away. Gladden stepped away from the railing and started walking at a slightly faster pace toward the end of the pier. He did what the woman cop had done. He used his body as a shield and pulled the duffel bag around so that it was in front of him. He unzipped it and reached in and grabbed the camera. Without pulling it out, he turned it over until he found the CLEAR switch and erased the chip. There wasn’t much on there. The girl on the carousel, a few kids at the public showers. No big loss.
That done, he again proceeded down the pier. He took his cigarettes out of the bag and, using his body as a shield, turned around and huddled against the wind to light one. When he had the smoke lit, he looked up and saw the two cops were getting closer. He knew they thought they had him bottled. He was going to the dead end of the pier. The woman had caught up to the man and they were talking as they closed in. Probably deciding whether to wait for the backup, Gladden thought.
Gladden quickly walked toward the bait shop and the pier offices. He knew the layout of the end of the pier well. On two occasions during the week he had followed children with their parents from the carousel to the end of the pier. He knew that on the other side of the bait shop were stairs that led to the observation deck on the roof.
As he turned the corner of the shop out of sight of the cops, Gladden ran down the side to the back and then up the steps. He could now look down on the pier in front of the shop. The two cops were there below, talking again.
Then the man followed Gladden’s path and the woman stayed back. They weren’t going to take a chance on letting him slip away. A question suddenly occurred to Gladden. How did they know? A cop in a suit just doesn’t happen by the pier. The cops had gone there for a purpose. Him. But how did they know?
He broke away from those thoughts to the situation at hand. He needed a diversion. The man would soon figure out he wasn’t with the fishermen at the end of the pier and come up to the observation deck looking for him. He saw the trash can in the corner by the wooden railing. He ran to it and looked in. It was almost empty. He put the duffel bag down, lifted the trash can over his head and with a running start moved to the railing. He threw it out as far as he could, then watched it go over the heads of two fishermen below and down into the water. It made a large splash and he heard a young boy yell, “Hey!”
“Man in the water!” Gladden yelled. “Man in the water!”
He then grabbed the duffel bag and quickly moved back to the rear railing of the deck. He looked for the woman cop. She was still there below him but had clearly heard the splash and his yelling. A couple of children ran around the side of the bait shop to see what the yelling and excitement were about. After what seemed to be a physical hesitation, the woman followed the children around the corner of the building to the source of the splash and ensuing commotion. Gladden hooked the duffel over his shoulder and quickly climbed over the railing, lowered himself down and then dropped the final five feet. He started running down the pier toward land.