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A Little Life(4)
Author: Hanya Yanagihara

 

JB wasn’t given to introspection, but as he rode the train to his mother’s house that Sunday, he was unable to keep himself from experiencing a vague sort of self-congratulation, combined with something approaching gratitude, that he had the life and family he did.

His father, who had emigrated to New York from Haiti, had died when JB was three, and although JB always liked to think that he remembered his face—kind and gentle, with a narrow strip of mustache and cheeks that rounded into plums when he smiled—he was never to know whether he only thought he remembered it, having grown up studying the photograph of his father that sat on his mother’s bedside table, or whether he actually did. Still, that had been his only sadness as a child, and even that was more of an obligatory sadness: He was fatherless, and he knew that fatherless children mourned the absence in their lives. He, however, had never experienced that yearning himself. After his father had died, his mother, who was a second-generation Haitian American, had earned her doctorate in education, teaching all the while at the public school near their house that she had deemed JB better than. By the time he was in high school, an expensive private day school nearly an hour’s commute from their place in Brooklyn, which he attended on scholarship, she was the principal of a different school, a magnet program in Manhattan, and an adjunct professor at Brooklyn College. She had been the subject of an article in The New York Times for her innovative teaching methods, and although he had pretended otherwise to his friends, he had been proud of her.

She had always been busy when he was growing up, but he had never felt neglected, had never felt that his mother loved her students more than she loved him. At home, there was his grandmother, who cooked whatever he wanted, and sang to him in French, and told him literally daily what a treasure he was, what a genius, and how he was the man in her life. And there were his aunts, his mother’s sister, a detective in Manhattan, and her girlfriend, a pharmacist and second-generation American herself (although she was from Puerto Rico, not Haiti), who had no children and so treated him as their own. His mother’s sister was sporty and taught him how to catch and throw a ball (something that, even then, he had only the slightest of interest in, but which proved to be a useful social skill later on), and her girlfriend was interested in art; one of his earliest memories had been a trip with her to the Museum of Modern Art, where he clearly remembered staring at One: Number 31, 1950, dumb with awe, barely listening to his aunt as she explained how Pollock had made the painting.

In high school, where a bit of revisionism seemed necessary in order to distinguish himself and, especially, make his rich white classmates uncomfortable, he blurred the truth of his circumstances somewhat: He became another fatherless black boy, with a mother who had completed school only after he was born (he neglected to mention that it was graduate school she had been completing, and so people assumed that he meant high school), and an aunt who walked the streets (again, they assumed as a prostitute, not realizing he meant as a detective). His favorite family photograph had been taken by his best friend in high school, a boy named Daniel, to whom he had revealed the truth just before he let him in to shoot their family portrait. Daniel had been working on a series of, as he called it, families “up from the edge,” and JB had had to hurriedly correct the perception that his aunt was a borderline streetwalker and his mother barely literate before he allowed his friend inside. Daniel’s mouth had opened and no sound had emerged, but then JB’s mother had come to the door and told them both to get in out of the cold, and Daniel had to obey.

Daniel, still stunned, positioned them in the living room: JB’s grandmother, Yvette, sat in her favorite high-backed chair, and around her stood his aunt Christine and her girlfriend, Silvia, to one side, and JB and his mother to the other. But then, just before Daniel could take the picture, Yvette demanded that JB take her place. “He is the king of the house,” she told Daniel, as her daughters protested. “Jean-Baptiste! Sit down!” He did. In the picture, he is gripping both of the armrests with his plump hands (even then he had been plump), while on either side, women beamed down at him. He himself is looking directly at the camera, smiling widely, sitting in the chair that should have been occupied by his grandmother.

Their faith in him, in his ultimate triumph, remained unwavering, almost disconcertingly so. They were convinced—even as his own conviction was tested so many times that it was becoming difficult to self-generate it—that he would someday be an important artist, that his work would hang in major museums, that the people who hadn’t yet given him his chances didn’t properly appreciate his gift. Sometimes he believed them and allowed himself to be buoyed by their confidence. At other times he was suspicious—their opinions seemed so the complete opposite of the rest of the world’s that he wondered whether they might be condescending to him, or just crazy. Or maybe they had bad taste. How could four women’s judgment differ so profoundly from everyone else’s? Surely the odds of theirs being the correct opinion were not good.

And yet he was relieved to return every Sunday on these secret visits back home, where the food was plentiful and free, and where his grandmother would do his laundry, and where every word he spoke and every sketch he showed would be savored and murmured about approvingly. His mother’s house was a familiar land, a place where he would always be revered, where every custom and tradition felt tailored to him and his particular needs. At some point in the evening—after dinner but before dessert, while they all rested in the living room, watching television, his mother’s cat lying hotly in his lap—he would look at his women and feel something swell within him. He would think then of Malcolm, with his unsparingly intelligent father and affectionate but absentminded mother, and then of Willem, with his dead parents (JB had met them only once, over their freshman year move-out weekend, and had been surprised by how taciturn, how formal, how un-Willem they had been), and finally, of course, Jude, with his completely nonexistent parents (a mystery, there—they had known Jude for almost a decade now and still weren’t certain when or if there had ever been parents at all, only that the situation was miserable and not to be spoken of), and feel a warm, watery rush of happiness and thankfulness, as if an ocean were rising up in his chest. I’m lucky, he’d think, and then, because he was competitive and kept track of where he stood against his peers in every aspect of life, I’m the luckiest one of all. But he never thought that he didn’t deserve it, or that he should work harder to express his appreciation; his family was happy when he was happy, and so his only obligation to them was to be happy, to live exactly the life he wanted, on the terms he wanted.

“We don’t get the families we deserve,” Willem had said once when they had been very stoned. He was, of course, speaking of Jude.

“I agree,” JB had replied. And he did. None of them—not Willem, not Jude, not even Malcolm—had the families they deserved. But secretly, he made an exception for himself: He did have the family he deserved. They were wonderful, truly wonderful, and he knew it. And what’s more, he did deserve them.

“There’s my brilliant boy,” Yvette would call out whenever he walked into the house.

It had never had to occur to him that she was anything but completely correct.

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