My projectile weapon lay on the deck in pieces, like someone had used a tool to pound it apart. My saved schematic of ART’s interior layout came in handy as I mapped the direction of Amena’s voice. Down this curving corridor, to a cross corridor, to a crew lounge area. I didn’t make any noise.
By the time I got to the first curve in the corridor, I found their drone control feed. It was on an encrypted channel, like a military feed. Clever, except their encryption was practically ancient, in bot terms if not human. My last update of my ex-owner bond company’s proprietary key-breaker was 8700+ hours out of date, but it snapped their encryption like a twig.
Their feed was almost empty, no voices that I could detect, just drone commands. If their encryption was old, their drone codes might be, too. I pulled the oldest version of my drone key files and started cycling through them. My own drones were still in standby as I rebuilt my inputs and connections, but they were semi-useless at the moment, since the stealth material prevented them from scanning the hostile drones.
The doorway to the lounge where I’d detected Amena’s voice was open, brighter light falling into the half-lit corridor. I meant to wait until I was back up to at least 90 percent performance reliability but I heard Amena say, “There’s no weapon, you got the wrong ship.” The fear in her voice was more obvious and I was suddenly in the room.
(Impulse control; I should try to write a code patch for that.)
The compartment was large, with padded couches and seats built against the bulkheads, a few low tables that were designed to fold down into the deck, and various display surfaces, now inert, floating above them. Occupants included one client: Amena, backed up against the far wall, disheveled and wide-eyed but no apparent new damage. Two potential targets/possible casualties: both backed toward the far end of the compartment, past Amena. They had visible bruises and shocked/frightened expressions. Both casualties wore red and brown uniforms, disheveled and torn, with corporate logos. Another anomaly, since ART’s crew uniforms were dark blue.
Two Targets faced Amena and the casualties: possibly augmented human; scan results null.
Both Targets turned toward me. They looked like tall, thin augmented humans, with dull gray skin. (Injury, illness? Or an uncommon skin augment/cosmetic modification?) They both wore form-fitting protective suits and partial helmets that left a surprising (surprisingly stupid) amount of the face bare. Narrow human features, dark brows standing out against the smooth gray skin. Both smiled with colorless lips.
Accusingly, one said (Unidentified One = Target One) to the other, “You said this one was dead.” They weren’t quite identical. Target One was slightly taller and had broader shoulders.
“Poor thing was dead,” Unidentified Two = Target Two responded, and laughed.
Poor thing. I think a capillary just burst inside one of my organic parts.
Three drones hovered behind the Targets, of a model that didn’t match anything in my archives. They were round, as big around as my head, the apertures for cameras or weapons hidden despite their size. The stealth material interfered with my scan, but not with the image in the organic part of my brain. It gave me an uneasy kind of double vision, where my scan insisted there were floating anomalies that wouldn’t appear on my camera, yet I had a clear image in my temp data storage, supplied by my organic nerve tissue.
I knew the targetDrones weren’t slow, but they looked cumbersome. I needed intel before proceeding. I said, “What did you do to ART?”
That wasn’t the intel I needed. But it was the intel I wanted.
Target One cocked its head inquiringly and bared sharp teeth. Another possible cosmetic modification or genetic variance. Target One said, “You’re babbling, poor thing.”
Target Two, in almost the same tone, said, “These creatures seem to have no control over their vocalizations.”
I was aware of Amena, watching me with wide eyes, both hands pressed to her mouth. Casualties One and Two, still behind her, stared at me in confusion.
I clarified, “This transport. What did you do to the bot pilot?” ART was so much more than a bot pilot but I didn’t have a word for what it was.
Target Two sighed and folded its arms, like I’d asked a stupid question. Target One grinned at me, maliciously. It didn’t know who I was, what I was, it might not even know who ART was, but it knew I cared, and it was going to enjoy what it said next. “We deleted it, of course.”
I felt my face change. The muscles were all stiff, and not from the hit I’d taken. I’m still not great at controlling my expressions, and I had no idea what I looked like. Behind her hands, Amena whispered, “Oh shit.”
“Oh, this one looks angry,” Target One said.
Target Two said, “How boring. Angry, then afraid, then dead. Boring boring boring.”
Target One began, “You belong to us now, all of you. This is what’s going to happen. You will tell us—”
I grabbed Target One’s face. Not my best strategic attack, but the quickest way to shut it up. Using its face as a handle, I slung it sideways into the couch built against the bulkhead.
TargetDrone One came at my head. It was fast but I was ready this time. I ducked sideways and as it stopped and reversed to come back at me, I put my fist through it. I slammed it against the side of the hatch to break the remnants off my hand as I turned.
Target Two actually looked at the other two targetDrones at this point, obviously wondering why they hadn’t responded.
The good thing about being a construct is that I can have a dramatic emotional breakdown while still running my background search to find the drone key commands. I’d had a hit and a responding ping from the targetDrones right when Target One had called me boring. (Irony is great.) I sent the order to power down and they dropped to the deck with two loud thunks.
Target Two’s gray face went surprised, then furious. It was kind of funny. This was a point where if I was a human (ick) I might have laughed. I decided to go with my first inclination and kill the shit out of some ass-faced hostiles instead. I told the Targets, “Angry, then afraid, then dead. Is that the right order?”
Casualty One whispered, “Oh deity, that’s a—”
Target One, flailing on the couch, reached for something that was clearly a weapon, clipped to the suit plate on its thigh. I lunged forward and had its wrist before it could close around the weapon. This turned out to be a trick, because it slapped its free hand on my shoulder and I felt a stab of pain from an energy weapon.
Target One grinned at me with its whole face.
Projectiles hurt but energy weapons just piss me off. I crushed the wrist I was holding and twisted, caught the arm with the energy weapon and snapped it. (The arm. The weapon, a clunky tube-shaped device about ten centimeters long, clattered to the deck.)
Target One shrieked in a combination of rage and disbelief that did not make me any less mad. Target Two, with what I have to say was an entirely misplaced confidence, stepped in and shoved another energy weapon at my chest.
I was moving so fast that later I had to run my video back to analyze my performance. I shoved Target One away and smashed an elbow into Target Two’s face. I tore the energy weapon out of Target Two’s hand along with a few fingers, stabbed the weapon into its chest (it didn’t have a sharp end but I made do) and ripped a large hole. Then I used the weapon, and the large hole, to lift Target Two up and slam it into the upper bulkhead. Three times. Fluid and pieces went everywhere.