ONE
The child is dead. There is nothing left to know.
I hear there is a queen in the south who kills the man who brings her bad news. So when I give word of the boy’s death, do I write my own death with it? Truth eats lies just as the crocodile eats the moon, and yet my witness is the same today as it will be tomorrow. No, I did not kill him. Though I may have wanted him dead. Craved for it the way a glutton craves goat flesh. Oh, to draw a bow and fire it through his black heart and watch it explode black blood, and to watch his eyes for when they stop blinking, when they look but stop seeing, and to listen for his voice croaking and hear his chest heave in a death rattle saying, Look, my wretched spirit leaves this most wretched of bodies, and to smile at such tidings and dance at such a loss. Yes, I glut at the conceit of it. But no, I did not kill him.
Bi oju ri enu a pamo.
Not everything the eye sees should be spoken by the mouth.
This cell is larger than the one before. I smell the dried blood of executed men; I hear their ghosts still screaming. Your bread carries weevils, and your water carries the piss of ten and two guards and the goat they fuck for sport. Shall I give you a story?
I am just a man who some have called a wolf. The child is dead. I know the old woman brings you different news. Call him murderer, she says. Even though my only sorrow is that I did not kill her. The redheaded one said the child’s head was infested with devils. If you believe in devils. I believe in bad blood. You look like a man who has never shed blood. And yet blood sticks between your fingers. A boy you circumcised, a young girl too small for your big … Look how that thrills you. Look at you.
I will give you a story.
It begins with a Leopard.
And a witch.
Grand Inquisitor.
Fetish priest.
No, you will not call for the guards.
My mouth might say too much before they club it shut.
Regard yourself. A man with two hundred cows who delights in a patch of boy skin and the koo of a girl who should be no man’s woman. Because that is what you seek, is it not? A dark little thing that cannot be found in thirty sacks of gold or two hundred cows or two hundred wives. Something that you have lost—no, it was taken from you. That light, you see it and you want it—not light from the sun, or from the thunder god in the night sky, but light with no blemish, light in a boy who has no knowledge of women, a girl you bought for marriage, not because you need a wife, for you have two hundred cows, but a wife you can tear open, because you search for it in holes, black holes, wet holes, undergrown holes for the light that vampires look for, and you will have it, you will dress it up in ceremony, circumcision for the boy, consummation for the girl, and when they shed blood, and spit, and sperm and piss you leave it all on your skin, to go to the iroko tree and use any hole you find.
The child is dead, and so is everyone.
I walked for days, through swarms of flies in the Blood Swamp and skin-slicing rocks in salt plains, through day and night. I walked as far south as Omororo and did not know or care. Men detained me as a beggar, took me for a thief, tortured me as a traitor, and when news of the dead child reached your kingdom, arrested me as a murderer. Did you know there were five men in my cell? Four nights ago. The scarf around my neck belongs to the only man who left on two feet. He might even see from his right eye again one day.
The other four. Make record as I have said it.
Old men say night is a fool. It will not judge, but whatever comes it will not warn. The first came for my bed. I woke up to my own death rattle, and it was a man, crushing my throat. Shorter than an Ogo, but taller than a horse. Smelled like he butchered a goat. Grabbed me by the neck and hoisted me up in the air while the other men kept quiet. I tried to pull his fingers but a devil was in his grip. Kicking his chest was kicking stone. He held me up as if admiring a precious jewel. I kneed him in the jaw so hard his teeth sliced his tongue. He dropped me, and I charged for his balls like a bull. He fell, I grabbed his knife, razor sharp, and cut his throat. The second grabbed for my arms, but I was naked and slippery. The knife—my knife—I rammed it between his ribs and heard his heart pop. The third man danced with his feet and fists, like a night fly, whistling like a mosquito. Made a fist I did, then stuck two fingers out, like rabbit ears. Jabbed his left eye in the quick and pulled the whole thing out. He screamed. Watching him bawl on the floor, searching for his eye, I forgot the other two men. The fat one behind me, he swung, I ducked, he tripped, he fell, I jumped, I grabbed the rock that was my pillow and bashed his head until his face smelled fleshy.
The last man was a boy. He cried. He was too shaken to beg for his life. I told him to be a man in his next life, for he is less than a worm in this one, and flung the knife right into his neck. His blood hit the floor before his knees. I let the half-blind man live because we need stories in order to live, don’t we, priest? Inquisitor. I don’t know what to call you.
But these are not your men. Good. Then you have no death song to sing to their widows.
You have come for a story and I am moved to talk, so the gods have smiled on both of us.
There was a merchant in the Purple City, who said he lost his wife. She went missing with five gold rings, ten and two pairs of earrings, twenty and two bracelets, and ten and nine anklets. It is said you have a nose for finding what would rather stay lost, he said. I was near twenty in years, and long banished from my father’s house. The man thought I was some kind of hound, but I said yes, it has been said that I have a nose. He threw me his wife’s undergarment. Her trail was so faint it was almost dead. Maybe she knew that one day men would come hunting, for she had a hut in three villages and no one could tell which one she lived in. In each house was a girl who looked exactly like her and even answered to her name. The girl in the third house invited me in and pointed to a stool for me to sit. She asked if I was thirsty and reached for a jug of masuku beer before I said yes. Let me remind you that my eyes are ordinary but it has been said that I have a nose. So when she brought over the mug of beer I had already smelled the poison she put in it, a wife’s poison called cobra spit that loses taste once you mix it with water. She gave me the mug and I took it, grabbed her hand, and bent it behind her back. I put the mug to her lips and forced it between her teeth. Her tears ran down and I took away the mug.
She took me to her mistress, who lived in a hut by the river. My husband beat me so hard that my child fell out, the mistress said. I have five gold rings, ten and two pairs of earrings, twenty and two bracelets, and ten and nine anklets, which I will give you, as well as a night in my bed. I took four anklets, and I took her back to her husband because I wanted his money more than her jewelry. Then I told her to have the woman from the third hut make him masuku beer.
The second story.
My father came home one night smelling of a fisher woman. She was on him, and so was the wood of a Bawo board. And the blood of a man not my father. He played a game against a binga, a Bawo master, and lost. The binga demanded his winnings, and my father grabbed the Bawo board and smashed it on the master’s forehead. He said he was at an inn far away so that he could drink, tickle women, and play Bawo. My father beat the man until he stopped moving and then left the bar. But no stink of sweat was on him, not much dust, no beer on his breath, nothing. He had not been in a bar but in the den of an opium monk.
So Father came into the house and shouted for me to come from the grain shed I was living in, for by now he had banished me from the house.