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Thirteen Storeys
Author: Jonathan Sims

 


Prologue

LEGACY OF A BUTCHERED BILLIONAIRE:

THE LIFE AND DISMEMBERMENT OF TOBIAS FELL

David Erikson,

Crime Editor

Five years on, it’s an all-to-familiar cliché that the only thing more interesting than the life of Tobias Fell was his death. For most of his eventful career, he was lauded by the public as an entrepreneurial titan; it’s no secret he remains The Sunday ******** ’s most interviewed non-political figure, and we certainly weren’t alone in that regard, with his picture gracing the front of The ******** Business Post no less than fourteen times since 1992. After his death this fascination has only increased, though it has now taken on a wholly different character. Even for those who don’t follow such things it’s been hard to escape a relentless tide of true crime investigations, conspiracy theories, even discussions on paranormal forums. The brutal slaying has found its way to the top of more than one online list of ‘creepiest unsolved murders’. Alive or dead, nobody ever seems to tire of talking about Tobias Fell.

But there are those who never stopped digging, who never accepted the impossible facts of this baffling case. But with so tantalising a mystery surrounding his death, are we perhaps overlooking the darker corners of his life?

His origins were similar to any other billionaire: he was provided with a small fortune by his father’s family and proceeded, through luck, skill and, many say, ruthlessness to turn it into a large fortune. But it has been noted by many that, even by the standards of his peers, young Tobias seemed utterly unconcerned with the ethical implications of his business practices. While many of his more public and well-profiled enterprises (including those covered in this very publication) were PR-friendly tech companies or well-beloved brands, it takes very little digging to notice his most profitable investments came from less cuddly sources: pharmaceutical companies; gemstone mining; environmentally devastating oil extraction and arms manufacture. There were accusations his companies were involved in sweatshops, land seizure and slave labour, with many progressives coming forward with their condemnations of him even when he was still alive.

None of these accusations, however, ever truly seemed to touch Tobias Fell. A ready wit and an instinct for keeping his distance from the less-savoury aspects of his businesses served to keep his image clean, and well-publicised charitable initiatives ensured nobody raised too much interest in his tax affairs (even if many of these philanthropic projects seemed to quietly disappear when the spotlight faded). Every eager would-be tycoon named him their inspiration as he topped rich list after rich list.

There were plenty of reports, of course. Human rights organisations condemned his companies’ ethics, but his books on business advice, reputedly ghost-written, made for far easier reading. Indeed, looking through the archives of The Sunday ******** , it’s hard not to see our own complicity in burying many of these stories in the back pages.

When Tobias began to retreat from the public eye in the years leading up to his death, this seemed only to cement his reputation. For every concerned activist railing against his businesses, there were a dozen admirers intrigued by this new mystique and the occasional long-lens paparazzi photograph of the now-reclusive billionaire. He gradually stepped back from running his companies, and his much-lauded philanthropy entirely dried up. It seemed the business world’s golden boy wished to simply spend his time hiding away in the penthouse suite of Banyan Court, a building he commissioned.

It was often said that Banyan Court stood as a monument to everything Tobias Fell was; both to those who held him as their idol, and to those who hated him. A towering, thirteen-storey residential development in the heart of Tower Hamlets, one of the poorest areas of central London. The building burst from the old brick shell of a Victorian factory-turned-tenement and blossomed into a grand edifice of glass and steel, a love letter to tasteful opulence. Our own coverage of the construction (‘Billionaire makeover for London’s poorest’, 3rd July 2004) talked of regeneration and of the project enriching the area. But critics saw only gentrification and the displacement of families, predictions which have largely been proven accurate.

One particular point of contention was the part of Banyan Court given over to ‘affordable housing’. Local planning guidelines require new residential developments to set aside a portion of their space as available to low-income occupants, but alleged indifference by the government and enforcement agencies led to persistent rumours about the construction quality of some areas of the building. New residents of these affordable homes reported cut corners, shoddy materials and fire hazards. The flats at the back were apparently almost completely segregated from the glistening modern facilities of the main building, and within a year left-wing blogs began talking about the ‘hidden slum’ lurking behind the shining facade of Banyan Court. And sitting in his pristine penthouse at the top of it all: Tobias Fell.

But however fascinating his life may have been, his death is what most people remember him for. It has gone down as one of the most high-profile unsolved murders in history. The details that were released to the public (and many details that weren’t) have been relentlessly dissected by the media and amateur detectives, and almost no aspect of it makes sense. The sheer brutality of the killing was breathtaking, and yet despite the fact that the murder must have taken place inside his penthouse, none of the blood found at the scene belonged to Tobias Fell. In fact, according to certain leaked case files, no positive identification was ever made. The billionaire was listed as the only victim, so why were there multiple reports from people who saw multiple body bags being removed by the emergency services?

Further igniting the imagination of conspiracy theorists was the matter of the witnesses. Tobias Fell wasn’t alone when he was killed. There were thirteen other people with him, all of whom claimed to have been attending a dinner party at his unexpected invitation. Though not all lived in the building, all these ‘guests’ each had some connection to Banyan Court. Aside from a postcode, however, it seems they had nothing whatsoever in common. An avant-garde art dealer, a local plumber, a six-year-old child attending with her mother … Few, if any, of the guests would be those expected at a billionaire’s banquet. Even beyond that, each guest said the same three things: they had never met Tobias Fell before that night; they had received an invitation without any sort of warning; and that, despite the forensic evidence conclusively showing he must have been killed while they were there, none of them had any idea when or how their host had been murdered.

 

 

Despite this seemingly obvious pool of suspects, no arrests were ever made by the Metropolitan Police and no official explanation of the killing was ever given. In the five years since the crime, none of the police or medical professionals who were part of the initial call or subsequent investigation have made any comment on the record. Further fuelling speculation of conspiracy were the strange events that occurred in and around Banyan Court in the week leading up to Tobias Fell’s murder: the deaths of Edith Kinney and James Andre, officially labelled natural causes and suicide respectively, as well as the disappearance of noted activist Diego Santi, who was last seen entering the building. Theorists have never found a satisfying explanation for any of them.


Now, after half a decade, Banyan Court is all but abandoned. As leases end, estate agents have been unable to find replacements, with other residents and landlords abruptly selling or, in some cases, simply disappearing. The once impressive building now stands silent, casting a lonely eye over the dilapidated buildings below. A thirteen-storey tombstone to a man whose shadow still falls as darkly as that of his creation.

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