Home > The Circus Rose

The Circus Rose
Author: Betsy Cornwell

1

 

 

Rosie

 

 

And now!

Ladies, gentlemen, and Fey!

 

 

Ivory

 

 

Rosie and I are twins, but half sisters.

It happened just how you’d guess, of course. Mama loved two men at the same time, and she slept with them both in the same month.

When our fathers wanted her to choose between them, she left them both before she even knew that we were coming.

We might as well have the same father, though, for all we saw of either of them as children. Two absent fathers are the same as one.

But they’re different men, and people do insist on being shocked.

Mismatched, half-sister twins are one thing. But our mother also being a bearded lady who had worked in what she lovingly called “the freak circuit” ever since she was a wispy-whiskered lass of fourteen years old?

We’re circus through and through, Rosie and I. We never had a chance, not a chance, to be anything else.

Rosie’s born to the performer’s life, though, in a way that I never was. I think she always feels a little cold without the heat of a spotlight on her skin. When she walks the tightrope with her arms outstretched, that wide, easy smile on her face, it’s as restorative for her as sunbathing. She floats between trapezes like a mermaid through a sunny sea, without a thought that the air would let her fall. And even when she’s simply dancing . . . oh, she shines.

She shines, and the world basks in her light.

I stick to the shadows.

I switched teams, stepped out of the spotlight, and became a stagehand as soon as I realized I could. Mama, thank goodness, was kind about it. She killed off her double-act dreams without complaint, at least to me, and she asked the stage crew to show me the ropes, in both senses of the phrase.

So I got to be behind the spotlight, and Rosie in front.

Even then, of course, we shared it.

 

 

Rosie

 

 

Children of all ages!

 

Ivory and I

are twins, but

half sisters.

 

You might call us

a sideshow act.

 

Presenting,

 

But here’s a

truth, and no

mistake:

 

for your

entertainment and pleasure:

 

a great performer

is a double

act

 

The Rose of the Circus Rose!

 

all by herself.

 

 

Ivory

 

 

By the time I was old enough to hold on to memories, Mama had assembled a troupe of about a dozen performers. She’d always wanted the Circus Rose to grow, to become the biggest act of its kind on the three continents.

There was no crew, though, just her and Vera and Toro, frantically stage-managing between their own acts. Everyone worked triple duty as cast and crew and babysitter for Rosie and me: we played and ate and slept under the watchful eyes of contortionists, conjoined twins, albinos, acrobats, equestrians, lion tamers, clowns, dancers.

Finally, in exhaustion, in desperation, Mama admitted she needed a stage manager.

The circus had set up in Esting City, but Mama had been forced to shut down performances when, after opening night, religious protesters blocked the ticket booth. Exactly which part of the circus had offended them was never clear when Mama told the story later, but when she and Vera went out to confront them, things quickly became physical.

No one has ever told Rosie and me the extent of what happened. But a Brethren priest in the crowd grabbed Mama by the beard and would have—

I still don’t know. No one will say.

A huge man who had hoped to buy a ticket for the show got between Mama and the brother. When the priest still wouldn’t let her go, the man pulled out a knife and cut her free.

The big man’s name was Apple.

“It took me months to grow my beard back,” Mama always said. “I only forgave him because of what else I might have lost if he hadn’t been there. And because of all he’s done for us since, of course.”

Apple would always duck his head when she praised him, when anyone praised him, to hide his smile and his ruddy cheeks. He was the first person I ever met besides myself who was quiet. Is it any wonder, in a circus?

Apple was a carpenter by trade. He offered to help Mama and Vera repair the ticket booth that had been damaged in the protest.

When the circus left town, he left with us; nothing to keep him at home, he said. He became the stage manager, the foreman of a crew that slowly grew along with Mama’s roster of performers.

I admired him: his silent strength, his bashfulness. I started following Apple around backstage as soon as I was old enough not to get into mischief, which was earlier for me than for Rosie. I watched him and the crew building their sets and handling the ropes, and I learned to help them.

I wanted to build things, to stay behind the scenes, like Apple did. I think he was the first person I’d ever seen who found a way to shine outside the limelight.

 

 

Rosie

 

 

Mama started

her circus

without us—

so she thought.

Double pearls,

someday girls,

held blood in

her belly,

while we

waited in

the wings.

 

Mama, lone,

both lovers gone,

found a new

dream to romance

instead: a circus,

a living, a life.

 

She hired Vera

first, strong-

woman from

the freak

circuit they’d

both worked

as just-past

girls. As women,

they had found

lives far apart.

 

But Vera always

says time

doesn’t matter,

nor distance, to

a true friend’s heart.

Hers remembered

Mama right away.

 

(And Vera’s name,

don’t you know,

means the truth.)

 

What a glorious start

to a circus of roses:

a bearded woman and one

who can throw,

without the slightest

effort, any

man to the ground.

 

By the time

we made

our presence known,

Mama had Vera

and Toro, too,

the brilliant clown

who was more

brilliant still

with the books.

 

A business born

with us, a triplet

who shares

my name. More

like me than

 

Ivory,

the sweet, quiet

sister who thinks,

only, always,

 

in straight

 

lines.

 

 

Ivory

 

 

When I was fourteen, the same age Mama had been when she ran away and joined the circus, she let me enroll in the Lampton Girls’ School of Engineering outside of Esting City. I’d been pulling things apart to see how they worked ever since I was old enough to control my hands, and at that school, girls and women of all ages came together to learn the workings of machines for themselves. I had dreamed of becoming an engineer all my life, and the story of Nicolette Lampton—Mechanica, the girl inventor who’d won our king’s heart but chose to open the Lampton School instead of becoming his queen—had enchanted me ever since I’d first heard it.

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