Someone was watching me—could be watching me even now.
I cross the yard slowly. I see myself reach the paper. I see myself bend to pick it up.
It is a grainy black-and-white photo that has obviously been reproduced from the original: It shows a man and a woman kissing. The woman in the picture is bent backward, her fingers laced in the man’s hair. He is smiling even as he kisses her.
At the bottom of the flyer are printed the words: THERE ARE MORE OF US THAN YOU THINK.
Instinctively, I crumple the flyer in my fist. Fred was right: The resistance is here, nesting among us. They must have access to copiers, to paper, to messengers.
A door bangs in the distance, and I jump. Suddenly the night seems alive. I practically sprint to the front porch and completely forget to be quiet as I slip inside the door, triple-locking it behind me. For a moment I stand in the hall, the flyer still balled in my hand, breathing in the familiar smells of furniture polish and Clorox.
In the kitchen, I throw the paper in the trash. Then, thinking better of it, I stuff it into the garbage disposal instead. I’m no longer worried about waking my parents. I just want to get rid of the picture, get rid of the words—a threat, no doubt about it. There are more of us than you think.
I wash my hands with hot water and fumble clumsily back to my bedroom. I don’t even bother to undress, just kick off my shoes, take off the baseball hat, and climb under the covers. Even though the heat is humming, I still don’t feel warm.
Long, dark fingers are enclosing me. Velvet-gloved hands, soft and perfumed, are wrapping around my throat, and Lena is whispering from somewhere far away—What did you do?—and then, mercifully, the fingers release, the hands drop from around my throat, and I am falling, falling, into a deep and dreamless sleep.
Lena
When I open my eyes, the tent is full of hazy green light as the sun is transformed into color by the thin tent walls. The ground beneath me is slightly damp, as it always is in the mornings; the ground exhales dew, shakes off the nighttime freeze. I can hear voices and the clang of metal pots. Julian is gone.
I can’t remember how long it has been since I’ve slept so deeply. I don’t even remember dreaming. I wonder whether this is what it is like to be cured, to wake up refreshed and renewed, undisturbed by the long, shadowy fingers that reach for you in sleep.
Outside, the air is unexpectedly warm. The woods are full of birdsong. Clouds skate giddily across a pale blue sky. The Wilds are boldly asserting the arrival of spring, like the first proud, puff-chested robins to appear in March.
I go down to the small stream where we’ve been drawing our water. Dani has just emerged from bathing and is standing totally naked, toweling off her hair with a T-shirt. Nudity used to shock me, but now I hardly notice it; she could be a dark, water-slicked otter shaking itself in the sun. Still, I head downstream from where she is, stripping off my shirt to splash my face and underarms and dunk my head underwater, gasping a little as I come up. The water is still ice-cold, and I can’t bring myself to submerge.
Back at the camp, I see that the body of the old woman has already been removed. Hopefully they’ve found somewhere to bury her. I think of Blue, and how we had to leave her out in the snow while the ice clotted her dark lashes and sealed her eyes shut, and of Miyako, who was burned. Ghosts, shadow-figures in my dreams. I wonder whether I will ever be rid of them.
“Morning, sunshine,” says Raven, without looking up from the jacket she is patching. She is holding several needles in her mouth, fanned out between her lips, and she has to speak through them. “Sleep well?” She doesn’t wait for me to answer. “There’s some grub on the fire, so eat up before Dani gets hold of seconds.”
The girl we rescued last night is awake and sitting near Raven, at a short distance from the fire, with a red blanket draped around her shoulders. She is even lovelier than I thought. Her eyes are vivid green, and her skin is luminous and soft-looking.
“Hi,” I say as I move between her and the fire. She gives me a shy smile but doesn’t speak, and I feel a rush of sympathy for her. I remember how terrified I was when I escaped into the Wilds and found myself among Raven and Tack and the others. I wonder where she has come from, and what terrible things she has seen.
At the edge of the fire, a dented pot is half-buried in the ash. Inside is a small bit of oatmeal-and-black-bean stew, left over from our dinner last night. It’s charred crunchy and practically tasteless. I spoon some into a tin cup and force myself to eat quickly.
As I’m finishing, Alex stomps his way out of the woods, carrying a plastic jug of water. I glance up instinctively to see whether he will acknowledge me, but as usual he keeps his eyes locked on air over my head.
He passes beyond me and stops by the new girl.
“Here,” he says. His voice is gentle, the voice of the old Alex, the Alex of my memories. “I brought you some water. Don’t worry. It’s clean.”
“Thanks, Alex,” she responds. The name sounds wrong in her mouth and makes me feel off-kilter, the way I used to feel as a kid at the Strawberry Festival at Eastern Prom, standing in the hall of fun-house mirrors: like everything has been distorted.
Tack, Pike, and some of the others come pushing out of the woods just after Alex, elbowing their way through the weave of branches. Julian is one of the last to emerge, and I stand up and find myself running toward him, barreling into his arms.
“Whoa.” He laughs, stumbling backward a little and squeezing me, obviously surprised and pleased. I am never this affectionate with him during the day, in front of the others. “What was that for?”
“I missed you,” I say, feeling breathless for no reason. I put my forehead on his collarbone, place one hand on his chest. Its rhythm reassures me: He is real, and he is now.
“We did a full sweep,” Tack is saying. “Three-mile circumference. Everything looks good. The Scavengers must have gone in a different direction.”
Julian tenses. I turn around and face Tack.
“Scavengers?” I ask.
Tack shoots me a look and doesn’t answer. He has stopped in front of the new girl. Alex is still sitting beside her. Their arms are separated by only a few inches, and I start to fixate on the negative space between their shoulders and elbows, like one-half of an hourglass.
“You don’t remember what day they came?” he asks the girl, and I can tell he’s struggling not to seem impatient. On the surface, Tack is all bite—bite and rough edges, just like Raven. That’s why they go so well together.
The girl chews her lip. Alex reaches out and touches her hand, gentle and reassuring, and I am suddenly filled, head to toe, with the feeling that I am going to be sick.
“Go on, Coral,” he says. Coral. Of course she would be named Coral. Beautiful and delicate and special.
“I—I don’t remember.” Her voice is almost as low as a boy’s.
“Try,” Tack says. Raven shoots him a look. Her expression is clear. Don’t push it.
The girl draws the blanket a little tighter around her shoulders. She clears her throat. “They came a few days ago—three, four. I don’t know exactly. We found an old barn, totally intact…. We’d been crashing there. There was just a small group of us. There was David and Tigg and—and Nan.” Her voice breaks a bit, and she sucks in a breath. “And a few others—eight of us total. We’ve stuck together since I first came to the Wilds. My grandfather was a priest of one of the old religions.” She looks up at us defiantly, as though she is daring us to criticize her. “He refused to convert to the New Order and was killed.” She shrugs. “Ever since then, my family was tracked. And when my aunt turned out to be a sympathizer…well, we were blacklisted. Couldn’t get a job, couldn’t get paired to save our lives. There wasn’t a landlord in Boston who would rent to us—not that we had any money to pay.”