Home > The Poet X(6)

The Poet X(6)
Author: Elizabeth Acevedo

at the end of Mass to receive the bread and wine.

But today, when everybody thrusts up from their seats

and faces Father Sean, my ass feels bolted to the pew.

Caridad slides past, her right brow raised in question,

and walks to the front of the line.

Mami elbows me sharply and I can feel

her eyes like bright lampposts shining on my face,

but I stare straight ahead, letting the stained glass

of la Madre María blur into a rainbow of colors.

Mami leans down: “Mira, muchacha, go take God.

Thank him for the fact that you’re breathing.”

She has a way of guilting me compliant.

Usually it works.

But today, I feel the question

sticking to the roof of my mouth like a wafer:

what’s the point of God giving me life

if I can’t live it as my own?

Why does listening to his commandments

mean I need to shut down my own voice?

 

 

Church Mass


When I was little,

I loved Mass.

The clanging tambourines

and guitar.

The church ladies

singing hymns

to merengue rhythms.

Everyone in the pews

holding hands and clapping.

My mother, tough at home,

would cry and smile

during Father Sean’s

mangled Spanish sermons.

It’s just when Father Sean

starts talking about the Scriptures

that everything inside me

feels like a too-full,

too-dirty kitchen sink.

When I’m told girls

Shouldn’t. Shouldn’t. Shouldn’t.

When I’m told

To wait. To stop. To obey.

When I’m told not to be like

Delilah. Lot’s Wife. Eve.

When the only girl I’m supposed to be

was an impregnated virgin

who was probably scared shitless.

When I’m told fear and fire

are all this life will hold for me.

When I look around the church

and none of the depictions of angels

or Jesus or Mary, not one of the disciples

look like me: morenita and big and angry.

When I’m told to have faith

in the father the son

in menand men are the first ones

to make me feel so small.

That’s when I feel like a fake.

Because I nod, and clap, and “Amén” and “Aleluya,”

all the while feeling like this house his house

is no longer one I want to rent.

 

 

Not Even Close to Haikus


Mami’s back is a coat hanger.

Her anger made of the heaviest wool.

It must keep her so hot.

*

“Mira, muchacha,

when it’s time to take the body of Christ,

don’t you ever opt out again.”

*

But I can hold my back like a coat hanger, too.

Straight and stiff and unbending

beneath the weight of her hard glare.

*

“I don’t want to take

the bread and wine, and Father Sean says

it should always and only be done with joy.”

*

Mami gives me a hard look.

I stare straight ahead.

It’s difficult to say who’s won this round.

 

 

Holy Water


“I just don’t know about that girl,”

Mami loud-whispers to Papi.

They never think that Twin and I can hear.

But since they barely say two words

to each other unless it’s about us or dinner,

we’re always listening when they speak

and these flimsy Harlem walls

barely muffle any sound.

“Recently, she’s got all kinds of devils inside of her.

They probably come from you.

I’ve talked to Padre Sean and he said

he’ll talk to her at confirmation class.”

And I want to tell Mami:

Father Sean talking to me won’t help.

That incense makes bow tie pasta of my belly.

That all the lit candles beckon like fingers

that want to clutch around my throat.

That I don’t understand her God anymore.

I hear Papi shushing her quiet.

“It’s that age. Teenage girls are overexcited.

Puberty changes their mind. Son locas.”

And since Papi knows more

about girls than she does

she stays silent at his reply.

I don’t know if it’s prayer to hope

that soon my feelings will drown me faster

than the church’s baptismal water.

 

 

People Say


Papi was a mujeriego.

That he would get drunk at the barbershop

and touch the thigh of any woman

who walked too close.

They say his tongue was slick

with compliments and his body

was like a tambor with the skin

stretched too tight.

They say Papi was broken,

that he couldn’t get women pregnant,

so he tossed his seeds to the wind,

not caring where they landed.

They say Twin and I saved him.

That if it wasn’t for us

Mami would have kicked him to tomorrow

or a jealous husband would have shanked him dead.

They say Papi used to love to dance

but now he finally has a spine

that allows him to stand straight.

They say we made it so.

 

 

On Papi


You can have a father who lives with you.

Who every day eats at the table

and watches TV in the living room

and snores through the whole night

and grunts about the bills, or the weather,

or your brother’s straight As.

You can have a father who works for Transit Authority,

and reads El Listín Diario,

and calls back to the island every couple of months

to speak to Primo So-and-So.

You can have a father who, if people asked,

you had to say lived with you.

You have to say is around.

But even as he brushes by you

on the way to the bathroom

he could be gone as anybody.

Just because your father’s present

doesn’t mean he isn’t absent.

 

 

All Over a Damn Wafer


As repentance for not participating in communion last time,

Mami makes me go

to evening Mass with her every evening this week,

even the days that aren’t confirmation class.

When Communion time comes

I stand in line with everyone else

and when Father Sean places the Eucharist

onto my tongue I walk away,

kneel in my pew,

and spit the wafer into my palm

when I’m pretending to pray.

I can feel the hot eyes of the Jesus statue

watching me hide the wafer beneath the bench,

where his holy body will now feed the mice.

 

 

Monday, September 17

 

 

The Flyer


“Calling all poets!”

The poster is printed

on regular white computer paper.

The bare basics:

Spoken Word Poetry Club

Calling all poets, rappers, and writers.

Tuesdays. After school.

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