Home > The Queen of Nothing (The Folk of the Air #3)(17)

The Queen of Nothing (The Folk of the Air #3)(17)
Author: Holly Black

“Of course,” she says, and bustles around the small space to gather up a sturdy blue dress, some hose, and boots. She goes out and comes back. After a few minutes, a servant arrives with steaming water in a bowl and places it on a table, along with a cloth. The water is scented with juniper.

“I will leave you to freshen up,” Oriana says, putting on a cloak. “Tonight we dine with the Court of Teeth.”

“I don’t mean to inconvenience you,” I say, awkward in the face of her kindness, knowing that it isn’t for me.

She smiles and touches my cheek. “You’re a good girl,” she says, making me flush with embarrassment.

I am never that.

Still, when she is gone, I am glad to be alone. I snoop around the tent but find no maps or battle plans. I eat a little cheese. I wash my face and pits and everywhere else I can reach, then rinse my mouth with a little peppermint oil and scrape my tongue.

Finally, I put on the new heavier, warmer clothes and rebraid my hair simply, into two tight plaits. I replace my velvet gloves with woolen ones—checking to make sure the stuffing at the tip of my finger looks convincing.

By the time I am done, Oriana has returned. She has brought with her several soldiers carrying a pallet of furs and blankets, which she has them arrange into a bed for me, curtained with a screen.

“I think this will do for now,” she says, looking at me for confirmation.

I swallow the urge to thank her. “Better than I could have asked.”

As the soldiers depart, I follow them through the tent flap. Outside, I orient myself by the sun as it is about to set and look over the sea of tents again. I am able to pick out factions. Madoc’s people, flying his sigil, the crescent moon turned like a bowl. Those from the Court of Teeth have their tents marked with a device that seems to suggest an ominous mountain range. And two or three other Courts, either smaller ones or ones that sent fewer soldiers. A whole host of other traitors, Grima Mog said.

I can’t help but think like the spy I was, cannot help but see that I am perfectly positioned to discover Madoc’s plan. I am in his camp, in his very tent. I could uncover everything.

But that’s absolute madness. How long before Oriana or Madoc realizes that I am Jude and not Taryn? I remember the vow Madoc made to me: And when I best you, I will make sure I do it as thoroughly as I would any opponent who has shown themselves to be my equal. It was a backhanded compliment, but it was also a straightforward threat. I know exactly what Madoc does to his enemies—he kills them and then washes his cap in their blood.

And what does it matter? I am in exile, pushed out.

But if I had Madoc’s plans, I could trade them for the end of my exile. Surely Cardan would agree to that, if I gave him the means to save Elfhame. Unless, of course, he thought I was lying.

Vivi would say I ought to stop worrying about kings and wars and worry instead about getting home. After my fight with Grima Mog, I could demand better jobs from Bryern. Vivi is right that if we gave up the pretense of living like other humans, we could have a much bigger place. And given the results of the inquest, Taryn probably can’t return to Faerie.

At least until Madoc takes over.

Maybe I should just let it happen.

But that brings me to the thing I cannot get past. Even though it’s ridiculous, I can’t stop the anger that rises in me, lighting a fire in my heart.

I am the Queen of Elfhame.

Even though I am the queen in exile, I am still the queen.

And that means Madoc isn’t just trying to take Cardan’s throne. He’s trying to take mine.

 

 

We dine in the tent of the Court of Teeth, which is easily three times the size of Madoc’s and decorated as elaborately as any palace. The floor is covered in rugs and furs. Lamps hang from the ceilings, and fat pillar candles burn atop tables beside decanters of some pale libation and bowls of frost-covered white berries of a type I have never seen before. A harpist plays in a corner, the strains of her music carrying through the buzz of conversation.

At the center of the tent rests three thrones—two large and one small. They seem to be sculptures of ice, with flowers and leaves frozen inside them. The large thrones are unoccupied, but a blue-skinned girl sits on the small one, a crown of icicles on her head and a golden bridle around her mouth and throat. She looks to be only a year or two older than Oak and is dressed in a column of gray silk. Her gaze is on her fingers, which move restlessly against one another. Her nails are bitten short and crusted with a thin rime of blood.

If she is the princess, then it is not hard to pick out the king and queen. They wear even more elaborate icicle crowns. Their skin is gray, the color of stone or corpses. Their eyes are a bright and clear yellow, like wine. And their garments are the blue of her skin. A matching trio.

“This is Lady Nore and Lord Jarel and their daughter, Queen Suren,” Oriana says to me quietly. So the little girl is the ruler?

Unfortunately, Lady Nore notices my staring. “A mortal,” she says with a familiar contempt. “Whatever for?”

Madoc shoots an apologetic look in my direction. “Allow me to present one of my foster daughters, Taryn. I am sure I mentioned her.”

“Perhaps,” says Lord Jarel, joining us. His gaze is intense, the way an owl looks at a misguided mouse climbing directly into its nest.

I give my best curtsy. “I am glad to have a place at your hearth tonight.”

He turns his cold gaze on Madoc. “Diverting. It speaks as though it thinks it’s one of us.”

I forgot how it felt, all those years of being utterly powerless. Having Madoc alone for protection. And now that protection depends on his not guessing which of his daughters stands beside him. I look up at Lord Jarel with fear in my eyes, fear I don’t have to fake. And I hate how obviously it pleases him.

I think of the Bomb’s words about what the Court of Teeth did to her and to the Roach: The Court carved us up and filled us full of curses and geases. Changed us. Forced us to serve them.

I remind myself I am no longer the girl I was before. I might be surrounded, but that doesn’t mean I’m powerless. I vow that one day it is Lord Jarel who will be afraid.

But for now, I edge myself toward a corner, where I sit on a hide-covered tuffet and survey the room. I recall the Living Council warning that Courts were evading swearing fealty by hiding their children as changelings in the mortal world, then elevating them to rulers. I wonder if that’s what’s happened here. If so, it must gall Lord Jarel and Lady Nore to give up their titles. And make them nervous enough to bridle her.

Interesting to see their ostentation on display—their crowns and thrones and luxurious tent—as they support Madoc’s bid to elevate himself to High King, which would put him far above them. I don’t buy it. They might back him now, but I bet they hope to eliminate him later.

It is then that Grimsen enters the tent, wearing a scarlet cloak with an enormous pin in the shape of a metal-and-blown-glass heart that seems to beat. Lady Nore and Lord Jarel turn their attention to him, their stiff faces moving to chilly smiles.

I look over at Madoc. He appears less pleased to see the smith.

After a few more pleasantries, Lady Nore and Lord Jarel usher us to the table. Lady Nore leads Queen Suren by her bridle. As the child queen is led to the table, I notice that the straps sit oddly against her skin, as though they have partially sunken into it. Something in the shimmer of the leather makes me think of enchantment.

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