“Mom was wondering,” Tom says in complete seriousness, “if you thought it would be better to have cold and hot hors d’oeuvres or just cold since the wedding will be in July?”
“Oh, right.” Riley pretends to consider her options. “Good point. It’s bound to be hot, so I wonder—”
But somewhere between the words so and wonder, a loud whistle of air followed by a deafening blast socks through the room like a fist, sending Riley to grab the table and Tom to reach for her hand. Marilyn’s fork drops from her elongated fingers, clattering onto her plate, and the room seems to shake for a brief moment. There are shouts followed by an eerie hush while the dining room settles back into itself. Riley watches the other diners who begin to mumble to each other across their tables, asking if they’re okay and spinning in their seats to better determine the source of the blast. The woman at the adjacent table hovers on the edge of her chair, as if considering diving underneath the table.
When Riley glances over at Gillian, she looks equally alarmed and as surprised as the rest of them, which means this isn’t some kind of bizarre emergency testing by the hotel. Whatever they heard was real. Significant. Riley’s eyes slide toward Tom, then Marilyn, whose face has turned a shade as pale as milk, then back to Tom.
“What on earth was that?” Marilyn gasps, her voice an octave too high, her fingers fluttering to her necklace. It’s a silver chain studded with azure stones, the kind of jewelry that Riley has come to associate with women of a certain age.
“I’m not sure.” Gillian’s voice cracks. “It almost sounded like some kind of explosion, didn’t it?” And then, as if remembering her wedding-coordinator cap, she rushes to reassure them. “But I’m sure it’s nothing like that. Maybe a blown transformer?”
But both Riley and Tom exchange glances because no matter how ill-versed they are in loud noises, that definitely was not a transformer. It wasn’t so much a popping sound as a crash, she thinks. Did the massive chandelier in the lobby fall? Did it come from the kitchen? Construction work outside maybe? It’s hard to tell.
“Not to be overly dramatic, but it almost felt like an earthquake,” Riley says. “The table actually shook, I think.” And although she understands that the curiosity sparked inside her is somehow inappropriate, she wants an explanation. “Whatever it was,” she says, lowering her voice, “it sounded awfully close.”
“Yes, very close,” Marilyn agrees, still fiddling with her necklace.
And that’s when the screams begin. Not from the kitchen at the back of the restaurant, not from the lobby, but from outside, just beyond the elegant bay windows peering out onto the terrace that fronts the water, the ocean seemingly close enough to dip a hand into. Riley’s glance swivels toward the small crowd that’s beginning to form outside near the firepit and hot tub.
“If you’ll excuse me?” Gillian says, as if emerging from a fog, and rises awkwardly to her feet before heading toward the row of windows.
Riley’s gaze follows her, and suddenly, she, too, feels compelled to get up, as if an invisible string tugs her toward the window. She hurries forward and angles around Gillian for a better view. But when she does, she immediately regrets her decision. Because it’s not a collapsed scaffolding or an awning or even construction work that has caused the sudden shaking, the loud blast.
But a woman, lying facedown on the terrace, several yards beyond the window.
The body lies completely still, the woman’s legs scissored like a rag doll’s, her left leg angled upward awkwardly. A curtain of muddy blond hair shields her face from view. Riley watches while a few bystanders move hesitantly toward the woman, as if afraid of startling her, until someone kneels down and grasps her wrist, presumably to check for a pulse. A man in blue running shorts and a Red Sox T-shirt yells for someone to call 9-1-1.
To Riley, it looks as if the woman was perhaps reaching for a glass that slipped from her hand, her arms still outstretched above her head. Her body is long, lean, even elegant. Riley holds her breath, waiting, and feels Gillian stiffen beside her when a youngish man, nicely tanned and formally dressed, parts the crowd and gently encourages everyone to take a few steps back. He assures them that an ambulance is on the way and speaks with an authority that suggests his importance.
“That’s Jean-Paul, our manager,” Gillian says quietly as they watch him crouch down next to the woman and brush her hair away from her face.
Just then, a young man in the crowd throws his hand to his mouth and rushes off, and Riley stands on her tiptoes for a better view. And that’s when she sees it, too—the wild splash of bright red she hadn’t noticed earlier that lies at the far edge of the woman’s hair. And in that awful moment, Riley—and everyone else watching—understands. An image of a woman in her yellow summer dress, cartwheeling through the air from somewhere up high, perhaps her hotel balcony, spirals through her mind.
“Oh, my God.” It hits her all at once, a hollow pit forming in her stomach.
“Jesus,” says Tom, who has come up beside her to rest a hand on her shoulder. “She’s not moving.”
“No.”
It’s obvious to them both, but somehow still needs to be said, as if by acknowledging it aloud, the woman might hear their words through the open window, might somehow will herself to move an inch, if only to give them a sign—a flutter of a hand, the shifting of a foot—that she’s going to be all right.
But her body remains completely, horribly still.
TWO
Earlier that day
Jean-Paul wakes feeling as if something is off, the same feeling he gets when he has left the burner on or forgotten to lock the front door at night. When he pushes up out of bed, a sense of uneasiness pulls at him, and he tries to recall if the baby slept last night. A faint memory of Isabella crying and Marie going to hush her before Jean-Paul fell back asleep is what comes to him.
He realizes all too well that Marie is doing the heavy lifting with their three-month-old. Not only because Marie insists on breastfeeding (even bottles of breast milk are mysteriously verboten in their house) but also because Jean-Paul has spent most of the last several months at the Seafarer, overseeing the renovations and now tending to the swift uptick in reservations since it reopened in April. Being general manager of the prestigious hotel has turned out to be every bit as challenging and exhilarating as he’d hoped. He only wishes he didn’t feel so guilty about leaving in the morning and chagrined when he returns home, excited to tell Marie about a successful day, only to sense resentment jumping off her body like sound waves.
Marie has no idea what his job entails—how could she? Since they set foot in the States, nearly a year and a half ago, arriving on a red-eye from Paris, her days—at least before the baby—were largely spent exploring the city while Jean-Paul versed himself in Seafarer protocol. Occasionally, she’d stop by the hotel, poking her head into his office to say hello and tell him where she was headed—off to the Museum of Fine Arts, the Christian Science Monitor Building, the Institute of Contemporary Art. But more often than not, she’d set out as soon as Jean-Paul left for work only to burst through the door at dinnertime, brimming with news about the paintings she’d seen, the quirky people she’d met. One day she’d gotten lost in the South End for hours and had the most delightful time asking strangers for directions, laughing at their funny accents, their oddly dropped Rs.