‘Mary Blakiston did not have an easy life. She knew personal tragedy soon after she came to Saxby-on-Avon and she could so easily have allowed it to overwhelm her. But she fought back. She was the sort of woman who embraced life, who would never let it get the better of her. And as we lay her to rest, beside the son whom she loved so much and whom she lost so tragically, perhaps we can take some solace from the thought that they are, at last, together.’
Robin Osborne read the paragraph twice. Once again, he saw her standing there, in this very room, right next to the table.
‘I heard you were having trouble with wasps.’
Had she seen them? Had she known?
The sun must have gone behind a cloud because suddenly there was a shadow across his face. He reached out, tore up the entire page and dropped the pieces into the bin.
3
Dr Emilia Redwing had woken early. She had lain in bed for an hour trying to persuade herself that she might still get back to sleep, then she had got up, put on a dressing gown and made herself a cup of tea. She had been sitting in the kitchen ever since, watching the sun rise over her garden and, beyond it, the ruins of Saxby Castle, a thirteenth-century structure which gave pleasure to the many hundreds of amateur historians who visited it but which cut out the sunlight every afternoon, casting a long shadow over the house. It was a little after half past eight. The newspaper should have been delivered by now. She had a few patient files in front of her and she busied herself going over them, partly to distract herself from the day ahead. The surgery was usually open on Saturday mornings but today, because of the funeral, it would be closed. Oh well, it was a good time to catch up with her paperwork.
There was never anything very serious to treat in a village like Saxby-on-Avon. If there was one thing that would carry off the residents, it was old age and Dr Redwing couldn’t do very much about that. Going through the files, she cast a weary eye over the various ailments that had recently come her way. Miss Dotterel, who helped at the village shop, was getting over the measles after a week spent in bed. Nine-year-old Billy Weaver had had a nasty attack of whooping cough but it was already behind him. His grandfather, Jeff Weaver, had arthritis but then he’d had it for years and it wasn’t getting any better or worse. Johnny Whitehead had cut his hand. Henrietta Osborne, the vicar’s wife, had managed to step on a clump of deadly nightshade – atropa belladonna – and had somehow infected her entire foot. She had prescribed a week’s bed rest and plenty of water. Other than that, the warm summer seemed to have been good for everyone’s health.
Not everyone’s. No. There had been a death.
Dr Redwing pushed the files to one side and went over to the stove where she busied herself making breakfast for both her and her husband. She had already heard Arthur moving about upstairs and there had been the usual grinding and rattling as he poured himself his bath. The plumbing in the house was at least fifty years old and complained loudly every time it was pressed into service, but at least it did the job. He would be down soon. She cut the bread for toast, filled a saucepan with water and placed it on the hob, took out the milk and the cornflakes, laid the table.
Arthur and Emilia Redwing had been married for thirty years; a happy and successful marriage, she thought to herself, even if things hadn’t gone quite as they had hoped. For a start, there was Sebastian, their only child, now twenty-four and living with his beatnik friends in London. How could he have become such a disappointment? And when exactly was it that he had turned against them? Neither of them had heard for him for months and they couldn’t even be sure if he was alive or dead. And then there was Arthur himself. He had started life as an architect – and a good one. He had been given the Sloane Medallion by the Royal Institute of British Architects for a design he had completed at art school. He had worked on several of the new buildings that had sprung up immediately after the war. But his real love had been painting – mainly portraits in oils – and ten years ago he had given up his career to work as a full-time artist. He had done so with Emilia’s full support.
One of his works hung in the kitchen, on the wall beside the Welsh dresser, and she glanced at it now. It was a portrait of herself, painted ten years ago, and she always smiled when she looked at it, remembering the extended silences as she sat for him, surrounded by wild flowers. Her husband never talked when he worked. There had been a dozen sittings during a long, hot summer and Arthur had somehow managed to capture the heat, the haze in the late afternoon, even the scent of the meadow. She was wearing a long dress with a straw hat – like a female Van Gogh, she had joked – and perhaps there was something of that artist’s style in the rich colours, the jabbing brushstrokes. She was not a beautiful woman. She knew it. Her face was too severe, her broad shoulders and dark hair too masculine. There was something of the teacher or perhaps the governess in the way she held herself. People found her too formal. But he had found something beautiful in her. If the picture had hung in a London gallery, nobody would be able to pass it without looking twice.
It didn’t. It hung here. No London galleries were interested in Arthur or his work. Emilia couldn’t understand it. The two of them had gone together to the Summer Exhibition at the Royal Academy and had looked at work by James Gunn and Sir Alfred Munnings. There had been a controversial portrait of the Queen by Simon Elwes. But it all looked very ordinary and timid compared to his work. Why did nobody recognise Arthur Redwing for the genius that he undoubtedly was?
She took three eggs and lowered them gently into the pan – two for him, one for her. One of them cracked as it came into contact with the boiling water and at once she thought of Mary Blakiston with her skull split open after her fall. She couldn’t avoid it. Even now she shuddered at the memory of what she had seen – and yet she wondered why that should be. It wasn’t the first dead body she had encountered and working in London during the worst of the Blitz she had treated soldiers with terrible injuries. What had been so different about this?
Perhaps it was the fact that the two of them had been close. It was true that the doctor and the housekeeper had very little in common but they had become unlikely friends. It had started when Mrs Blakiston was a patient. She’d suffered an attack of shingles that had lasted for a month and Dr Redwing had been impressed both by her stoicism and good sense. After that, she’d come to rely on her as a sounding board. She had to be careful. She couldn’t breach patient confidentiality. But if there was something that troubled her, she could always rely on Mary to be a good listener and to offer sensible advice.
And the end had been so sudden: an ordinary morning, just over a week ago, had been interrupted by Brent – the groundsman who worked at Pye Hall – on the phone.
‘Can you come, Dr Redwing? It’s Mrs Blakiston. She’s at the bottom of the stairs in the big house. She’s lying there. I think she’s had a fall.’
‘Is she moving?’
‘I don’t think so.’