‘Have you finished your book yet?’ I asked, when he came over to say hello.
‘Last night,’ he said. ‘And now I’m reading Dickens. A Tale of Two Cities. No one can object to Dickens, surely.’
‘I wouldn’t be so sure,’ I replied, attempting a casual tone. ‘These days, anyone can object to anything. Will you join me now?’ I added, but once again, to my great disappointment, he shook his head.
‘My father doesn’t like me to sit here with friends,’ he said. ‘He resents the idea of waiting on us. But what if we were to go somewhere else? Do you know the Böttcher Tavern? It’s not far from here. A few streets over.’
‘Of course,’ I said. ‘What’s your name, anyway?’
‘Oskar Gött,’ he said. ‘And yours?’
‘Erich Ackermann.’
‘I’ll meet you at the Böttcher at five o’clock. Do you drink beer, Erich?’
‘Yes,’ I said.
‘Then I will buy you a beer. It will be my way of thanking you for keeping my secret.’
I left the Nachmittag, taking a stroll around the neighbourhood as I watched the hands of my watch move sluggishly towards the hour. When it was finally time to return, I walked in great excitement towards the bar, which stood opposite the Schutzstaffel headquarters, where a tall, thin, red-haired guard, distinctly different from the typical Aryan type, stood with a rifle slung over his shoulder. I could feel his eyes on me as I ran across the road and pushed open the doors, looking around and smiling when I saw Oskar sitting at a table in the corner, drawing in a notebook.
At this time, in the early months of 1939, there was a general assumption that war was coming. No matter what the British said or did, it seemed clear that the Führer wanted armed conflict, knowing that only a full-scale international engagement could establish Germany as the world’s leading power. For young men of my age, this was a frightening thought. We had seen the effect the last war had had on our fathers – those of us who still had fathers, that is – and did not relish the idea of our lives following a similar pattern. And so perhaps it is not so strange that the first thought I had upon laying eyes on Oskar in the Böttcher was that war must be avoided at all costs lest someone as beautiful as him fall to the indiscriminate brutality of the battlefield.
‘Oskar,’ I said, sitting down, and as I did so he closed his notebook and placed the charcoal pencil on top of it.
‘My friend!’ he replied, smiling at me, and I swallowed nervously. I had never before known someone whose sheer physicality could hypnotize me to this extent. We ordered two beers and clinked our glasses together. He told me that he hated working in the café because his father was a brute but his plan was to save enough money so that he could travel and see the world. ‘I’d like to be an artist,’ he said. ‘And Paris is the place for that. Have you ever been?’
‘No,’ I said. ‘I’ve never left Berlin.’
‘I’d like to see London too,’ he added. ‘And Rome. I read a book about the catacombs once and they’ve fascinated me ever since.’
Neither of us mentioned the possibility of war. There were two types of youth in Germany then: those who could barely wait for it to begin and those who pretended that it was not coming at all, as if by ignoring the fact we could smother the bellicose infant in the crib.
‘You were drawing when I came in,’ I said, nodding towards his sketchbook. ‘Will you let me see your work?’
He shook his head and smiled, his cheeks flushing a little. ‘No,’ he said. ‘Anyway, that wasn’t drawing, it was just doodling. You know this word, yes? Something to pass the time. I have some canvases at home and that’s where my real work is. I paint with oils, mostly. At the moment, however, I can’t seem to find the proper inspiration. I paint landscapes, bowls of fruit and portraits of great buildings simply because I can and I’m able to sell them at the street markets. But what I really want is to paint something that no one else has ever painted before. Either that or paint something familiar in an unfamiliar way and allow the viewer to consider it from an unexpected angle. Does that make sense, Erich? I hear myself speak and worry that I might sound ridiculous to you.’
‘Not at all,’ I said, drawn to the idea of Oskar as a great painter. ‘I would like to be an artist too someday.’
‘You paint?’ he asked.
‘No, I can barely draw a straight line,’ I replied with a laugh. ‘But I write a little. Stories, that’s all. Perhaps one day a novel. Like you, I have not yet found my subject but I hope it will appear one day.’
‘Would you let me read one of your stories?’
‘Only if you show me one of your paintings.’
We talked of other things then. Of our schools and our classmates, of the subjects that interested us and the ones that didn’t. And – because all conversations then turned to this subject eventually – we spoke of the Führer and our weekly meetings of the Hitlerjugend. We were members of different corps and shared an enjoyment of field exercises while agreeing that doctrinal classes bored us to the point of paralysis. We had both attended the Nuremberg Youth Rallies since graduating from the Deutsches Jungvolk and found the atmosphere oppressive with the extraordinary numbers gathered there and the terrifying noise of unenlightened patriotism.
‘I saw him once,’ Oskar told me, leaning forward a little and lowering his voice. ‘A year ago, perhaps a little less. I was coming out of the Hauptbahnhof when a convoy of cars appeared along Lüneburgerstraße and everyone stopped and stared. His car, a black Grosser Mercedes, drove past me, and he turned his head just as I looked in his direction and our eyes met. I clicked my heels together and saluted him and despised myself for it afterwards.’
I sat back in disbelief when he said these words. Had I heard him correctly? Had he told me that he despised himself for saluting the Führer?
‘I think perhaps I have shocked you,’ he said, and there was anxiety in his tone now. Fear. This was not an opinion that people voiced out loud, even if they felt it, and especially not to a new acquaintance whose trustworthiness had yet to be established.
‘A little,’ I said. ‘You don’t believe in him, then?’
‘He frightens me,’ said Oskar, and I understood this because he frightened me too. But then of course my younger brother and I were Jewish, or a quarter Jewish anyway, and the purges against the Jews had already begun. By now it had been more than three years since Jews had been stripped of their citizenship entirely and I knew of at least two couples whose engagements had been cancelled after the law had come into place banning Jews from marrying non-Jewish Germans. Only four months earlier, the city had descended into chaos after a boy my own age, a Jew, had shot a Nazi diplomat in the German embassy in Paris. Days later the SS had run riot through the city, destroying Jewish shops and synagogues, desecrating graveyards and arresting tens of thousands for deportation to the camps. Running home that night, desperate to escape the violence, I witnessed an elderly man being beaten to death by an officer some forty years his junior, another emerging from a jewellery store with blood pouring down his face after the glass in his shop window had been shattered and, near my home, I saw a girl being raped by an SS Sturmbannführer in a sidestreet while his colleague pinned her father to the wall and forced him to watch. I had not been a victim of any of this for I did not share any of the typical physical characteristics of the Jew, nor were we an observant family so we did not live with other Jews or attend synagogue. But the fact remained: I, and my brother, were Mischlings.